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Room 13 · Chapter

XVII explained

Johnny Gray surprises Craig, Peter Kane, and Marney by appearing in evening dress, contradicting Parker's report that he changed into a grey tweed suit.

What happens

Johnny Gray surprises Craig, Peter Kane, and Marney by appearing in evening dress, contradicting Parker's report that he changed into a grey tweed suit. He claims to have dined with Inspector Flaherty, who confirms the alibi. Later, at his flat, Parker admits to burning the cuffs of Johnny's shirt and wearing the rest to dispose of it, and he retrieves a pistol from Johnny's pocket.

Themes in this chapter

  • Deception and Identity

    Johnny's claim of a double and the discrepancy between Parker's report and his appearance highlight themes of mistaken identity and deliberate deception.

  • Loyalty and Betrayal

    Parker's actions in destroying evidence and wearing the shirt suggest a complex loyalty to Johnny, while Flaherty's alibi underscores trust and betrayal within the police force.

Characters to notice

  • Johnny Gray

    Arrives in evening dress, claims to have dined with Inspector Flaherty, and later returns to his flat where Parker has disposed of his shirt cuffs.

  • Craig

    Inspects Johnny's cuffs for bloodstains, is bewildered by the alibi, and telephones Flaherty to verify.

  • Peter Kane

    Present during the confrontation, allows Johnny to take leave of Marney privately.

  • Marney Kane

    Clings to Johnny weeping, asks if his double committed the crime, and feels a wild hope.

  • Parker

    Reports that he cut off and burnt the cuffs of Johnny's shirt and is wearing the rest; retrieves a Browning pistol from Johnny's pocket.

  • Inspector Flaherty

    Confirms to Craig over the phone that he dined with Johnny until after eleven.

Key passages

  • Either somebody's doing some tall lying, or you're being extraordinarily clever, Johnny.

    Craig suggests that either someone is lying or Johnny is being very clever.

    Craig's suspicion of Johnny's alibi.

  • I cut off the cuffs and burnt them, sir. I did it with a greater pleasure, because the rounded corner cuff is just a little démodé, if you do not mind my saying so, just a little—how shall I call it?—theatrical.

    Parker admits to cutting off and burning the cuffs, noting that the rounded corner style was outdated and theatrical.

    Parker's disposal of evidence and his commentary on fashion.