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Point Counter Point · Chapter

XIX explained

Philip and Elinor Quarles return to Gattenden to reunite with their son, Little Phil, and encounter the anxious devotion of Miss Fulkes, who has cared for the child in their absence.

What happens

Philip and Elinor Quarles return to Gattenden to reunite with their son, Little Phil, and encounter the anxious devotion of Miss Fulkes, who has cared for the child in their absence. The chapter explores the complexities of parenthood, heredity, and identity as Elinor sees traces of various family members in her son, while Philip reflects on the kitchen's historical and cosmic significance in his notebook.

Themes in this chapter

  • Family and Dysfunction

    The chapter highlights the tensions and complexities of family dynamics, as Little Phil's behavior strains the reunion and reveals the inherited traits from multiple relatives.

  • Modern Alienation and Despair

    Elinor's sense of terror and the inscrutability of the future, along with Miss Fulkes's anxious devotion and fear of loss, reflect a modern sense of alienation and emotional dislocation.

Characters to notice

  • Philip Quarles

    Returns to Gattenden with Elinor, observes the landscape, and later writes in his notebook about the kitchen's historical and scientific implications.

  • Elinor Quarles

    Excited to return home and see her son, but becomes troubled by the realization of the many ancestral influences shaping Little Phil's character.

  • Little Phil

    Behaves atrociously at lunch due to excitement and anxiety, struggling with his emotions and the pressure of his parents' return.

  • Miss Fulkes

    Deeply anxious and devoted to Little Phil, she fears losing him and feels shame and pride over his behavior, having cared for him during his parents' absence.

  • Mrs. Bidlake

    Remains detached and philosophical during the commotion, discussing Buddhism and referring to the turmoil as 'Maya' or eternal illusion.

Key passages

  • Here was her child—but he was also Philip, he was also herself, he was also Walter, her father, her mother, and now, with that upward tilting of the chin, he had suddenly revealed himself as the deplorable Mr. Quarles.

    Elinor sees her son as a composite of many family members, including herself, Philip, Walter, and even the absurd Mr. Quarles, realizing the child embodies a multitude of inherited traits.

    Reflects Elinor's anxiety about the complexity of heredity and identity.

  • The whole story of the universe is implicit in any part of it. The meditative eye can look through any single object

    Philip muses that every object contains the entire history of the universe, and a thoughtful observer can perceive infinite connections within a single thing.

    Captures Philip's intellectual perspective on the interconnectedness of all things.