Poetry · Chapter
LXVIII explained
The poet reflects on the beloved's beauty as a living map of a bygone era, when beauty was natural and unadorned, before artificial wigs and borrowed ornaments corrupted true appearance.
What happens
The poet reflects on the beloved's beauty as a living map of a bygone era, when beauty was natural and unadorned, before artificial wigs and borrowed ornaments corrupted true appearance. Nature preserves the beloved as a model to show false art what genuine beauty once was.
Themes in this chapter
Beauty and Transience
The poem contrasts the fleeting, natural beauty of the past with the artificiality of the present, emphasizing the transient nature of true beauty.
Truth and Deception
The beloved's unadorned beauty is presented as truthful, while contemporary fashion is depicted as deceptive 'false Art.'
Characters to notice
Key passages
“Thus is his cheek the map of days outworn, When beauty lived and died as flowers do now”
His cheek is like a map of a past era, when beauty was natural and fleeting like flowers.
The poet establishes the youth as a living relic of an earlier, more authentic time.
“To live a second life on second head; Ere beauty’s dead fleece made another gay”
To be worn again on another person's head, as when hair from a corpse is used to adorn someone else.
Criticism of using dead people's hair for wigs, a practice the poet sees as unnatural.
“And him as for a map doth Nature store, To show false Art what beauty was of yore.”
Nature preserves him like a map to demonstrate to artificial beauty what true beauty looked like in the past.
The youth serves as a benchmark of genuine beauty against which modern artifice is measured.