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Poetry · Chapter

LXVIII explained

The poet reflects on the beloved's beauty as a living map of a bygone era, when beauty was natural and unadorned, before artificial wigs and borrowed ornaments corrupted true appearance.

What happens

The poet reflects on the beloved's beauty as a living map of a bygone era, when beauty was natural and unadorned, before artificial wigs and borrowed ornaments corrupted true appearance. Nature preserves the beloved as a model to show false art what genuine beauty once was.

Themes in this chapter

  • Beauty and Transience

    The poem contrasts the fleeting, natural beauty of the past with the artificiality of the present, emphasizing the transient nature of true beauty.

  • Truth and Deception

    The beloved's unadorned beauty is presented as truthful, while contemporary fashion is depicted as deceptive 'false Art.'

Characters to notice

  • Youth

    The beloved youth is portrayed as a living relic of an earlier, purer age of beauty.

  • Time

    Time is referenced through the 'map of days outworn' and the contrast between past and present.

  • Nature

    Nature is personified as storing the youth to demonstrate true beauty to false Art.

Key passages

  • Thus is his cheek the map of days outworn, When beauty lived and died as flowers do now

    His cheek is like a map of a past era, when beauty was natural and fleeting like flowers.

    The poet establishes the youth as a living relic of an earlier, more authentic time.

  • To live a second life on second head; Ere beauty’s dead fleece made another gay

    To be worn again on another person's head, as when hair from a corpse is used to adorn someone else.

    Criticism of using dead people's hair for wigs, a practice the poet sees as unnatural.

  • And him as for a map doth Nature store, To show false Art what beauty was of yore.

    Nature preserves him like a map to demonstrate to artificial beauty what true beauty looked like in the past.

    The youth serves as a benchmark of genuine beauty against which modern artifice is measured.