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Poetry · Chapter

Chanson explained

A lyrical poem contrasting gifts of love and death, using floral and symbolic imagery to juxtapose the beloved's fortune with the speaker's tragic fate.

What happens

A lyrical poem contrasting gifts of love and death, using floral and symbolic imagery to juxtapose the beloved's fortune with the speaker's tragic fate.

Themes in this chapter

  • Love and Loss

    The poem contrasts gifts for the beloved with symbols of the speaker's own death, highlighting the pain of unrequited or doomed love.

  • Transience and Mortality

    Imagery of the hempen rope, narrow bed, cypress, rue, and lilies underscores the inevitability of death and the fleeting nature of life.

Characters to notice

  • Love

    Implied as the recipient of the speaker's devotion and the subject of the contrasting gifts.

  • Death

    Referenced through imagery of the hempen rope, narrow bed, cypress, rue, and lilies at the head.

Key passages

  • A ring of gold and a milk-white dove / Are goodly gifts for thee, / And a hempen rope for your own love / To hang upon a tree.

    You receive precious tokens of love, while your beloved is destined for execution by hanging.

    Sets up the central contrast between the addressee's fortune and the lover's tragic end.

  • For you a House of Ivory, / (Roses are white in the rose-bower)! / A narrow bed for me to lie, / (White, O white, is the hemlock flower)!

    You have a beautiful home, but I have only a grave.

    Juxtaposes luxury with death using floral symbols.

  • Myrtle and jessamine for you, / (O the red rose is fair to see)! / For me the cypress and the rue, / (Fairest of all is rosemary)!

    You receive fragrant, joyful flowers, while I am given funeral plants.

    Further contrast between life-affirming and death-associated flora.

  • For you three lovers of your hand, / (Green grass where a man lies dead)! / For me three paces on the sand, / (Plant lilies at my head)!

    You have three suitors, but I have only a grave marked by lilies.

    Final stanza reinforces the speaker's lonely death versus the addressee's romantic fortune.