Poetry · Chapter
Chanson explained
A lyrical poem contrasting gifts of love and death, using floral and symbolic imagery to juxtapose the beloved's fortune with the speaker's tragic fate.
What happens
A lyrical poem contrasting gifts of love and death, using floral and symbolic imagery to juxtapose the beloved's fortune with the speaker's tragic fate.
Themes in this chapter
Love and Loss
The poem contrasts gifts for the beloved with symbols of the speaker's own death, highlighting the pain of unrequited or doomed love.
Transience and Mortality
Imagery of the hempen rope, narrow bed, cypress, rue, and lilies underscores the inevitability of death and the fleeting nature of life.
Characters to notice
Key passages
“A ring of gold and a milk-white dove / Are goodly gifts for thee, / And a hempen rope for your own love / To hang upon a tree.”
You receive precious tokens of love, while your beloved is destined for execution by hanging.
Sets up the central contrast between the addressee's fortune and the lover's tragic end.
“For you a House of Ivory, / (Roses are white in the rose-bower)! / A narrow bed for me to lie, / (White, O white, is the hemlock flower)!”
You have a beautiful home, but I have only a grave.
Juxtaposes luxury with death using floral symbols.
“Myrtle and jessamine for you, / (O the red rose is fair to see)! / For me the cypress and the rue, / (Fairest of all is rosemary)!”
You receive fragrant, joyful flowers, while I am given funeral plants.
Further contrast between life-affirming and death-associated flora.
“For you three lovers of your hand, / (Green grass where a man lies dead)! / For me three paces on the sand, / (Plant lilies at my head)!”
You have three suitors, but I have only a grave marked by lilies.
Final stanza reinforces the speaker's lonely death versus the addressee's romantic fortune.