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Poetry · Chapter

Oh, I Am Frighten'd with Most Hateful Thoughts! explained

The speaker expresses a sudden, anxious doubt about the perfection of a beloved figure, imagining flaws in her voice, teeth, eyelashes, dimples, and freckles, and suggesting that a careless nurse might have marred her divine beauty.

What happens

The speaker expresses a sudden, anxious doubt about the perfection of a beloved figure, imagining flaws in her voice, teeth, eyelashes, dimples, and freckles, and suggesting that a careless nurse might have marred her divine beauty.

Themes in this chapter

  • Beauty and Transience

    The speaker's sudden fear that the beloved's beauty may be imperfect or fleeting, contrasting with idealized images of nightingales and pearls.

  • Sorrow and Melancholy

    The speaker's hateful thoughts and anxious tone convey a deep melancholy about potential loss of ideal beauty.

Characters to notice

  • Unknown

    The speaker who voices fearful and hateful thoughts about the beloved's possible imperfections.

  • Dian

    Referenced as a standard of beauty whose legs might have been crumpled by a careless nurse.

Key passages

  • Perhaps her voice is not a nightingale's, Perhaps her teeth are not the fairest pearl;

    Maybe her voice isn't as beautiful as a nightingale's song, and her teeth aren't as perfect as the finest pearl.

    The speaker doubts the beloved's perfection, comparing her to idealized natural and precious objects.

  • There may not be one dimple on her hand; And freckles many;

    She might lack any dimples on her hand and have many freckles.

    The speaker imagines specific physical flaws that would detract from her beauty.

  • a careless nurse, In haste to teach the little thing to walk, May have crumpt up a pair of Dian’s legs, And warpt the ivory of a Juno’s neck.

    A negligent nurse, eager to teach the child to walk, might have misshapen legs like those of the goddess Diana and twisted the ivory-like neck of Juno.

    The speaker blames a nurse for potentially ruining the beloved's divine proportions, referencing classical goddesses.