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Poetry · Chapter

The Little-Neck Clam explained

A modern verse-sequence presented at the First Dinner of the American Periodical Publishers' Association in Washington, April 1904, demonstrating how a native American subject can be treated in various magazine styles.

What happens

A modern verse-sequence presented at the First Dinner of the American Periodical Publishers' Association in Washington, April 1904, demonstrating how a native American subject can be treated in various magazine styles. The poem parodies different literary and political voices—anti-trust reform, Whitmanian free verse, Italian immigrant sentiment, smart-set romance, and moral exhortation—all centered on the clam.

Themes in this chapter

  • Art and Poetic Vocation

    The poem self-consciously explores how a single subject can be adapted to different literary styles and magazine markets, reflecting on the poet's craft and commercial demands.

Characters to notice

  • Whitman

    Referenced in 'The Whitmaniac Clam' as the poet who fed on clams and whose verse reflects the ocean's motion.

  • Dante

    Mentioned in 'The Whitmaniac Clam' as a contrast to Whitman's poetic sustenance.

  • Phyllis

    Appears in 'The Social Clam' as another's bride, the object of the speaker's romantic longing.

Key passages

  • The clam that once, on Jersey's banks, / Was like the man who dug it, free, / Now slave-like thro' the market clanks / In chains of corporate tyranny.

    The clam that was once as free as the man who dug it is now enslaved by corporate control.

    Opens the anti-trust parody, personifying the clam as a victim of monopolies.

  • But Whitman, loafing in Long Island and New Jersey, / Found there the sustenance of mighty ode and psalm, / And while his rude emotions swam around in verse, he / Fed chiefly on the wild, impassioned, sea-born clam.

    Whitman, idling along the coast, drew poetic inspiration from the clam as his primary food.

    Satirizes Whitman's free verse and his connection to the natural, elemental clam.

  • Fair Phyllis is another's bride: / Therefore I like to sit beside / Her at a very smart set dinner, / And whisper love, and try to win her.

    Though Phyllis is married to someone else, I enjoy sitting next to her at a fashionable dinner and flirting.

    Captures the smart-set tone of romantic intrigue and social games.

  • Low dost thou lie amid the languid ooze, / Because thy slothful spirit doth refuse / The bliss of battle and the strain of strife. / Rise, craven clam, and lead the strenuous life!

    You lie lazily in the mud because you are too slothful to fight; get up, cowardly clam, and embrace an active, vigorous life.

    Mocks the moralistic, exhortatory style of the Outlook, urging the clam to adopt the 'strenuous life.'