Oil! · Chapter
XVI explained
Bunny Ross encounters Rachel Menzies on campus, who apologizes for her earlier outburst but remains fiercely critical of Vee Tracy's role in a propaganda film about Russia.
What happens
Bunny Ross encounters Rachel Menzies on campus, who apologizes for her earlier outburst but remains fiercely critical of Vee Tracy's role in a propaganda film about Russia. Rachel argues that the film is part of the 'white terror' and likens Vee to a prostitute for selling herself to produce such a picture. Bunny, caught between his sympathy for Rachel's cause and his desire to defend Vee, decides to postpone any attempt at reconciliation between the two women.
Themes in this chapter
Deception and Truth
The chapter centers on the power of propaganda and the distortion of truth, as Rachel condemns the film as a deliberate lie that poisons public perception of the Russian Revolution.
Class Struggle and Labor
Rachel frames the conflict in class terms, defending the workers of Russia against world reaction and linking the film to the broader class war.
Idealism vs. Pragmatism
Bunny's attempt to see the best in Vee clashes with Rachel's uncompromising moral stance, highlighting the tension between personal loyalty and ideological purity.
Characters to notice
- Bunny Ross
Bunny meets Rachel Menzies on campus and listens to her impassioned critique of Vee Tracy's film, ultimately deciding to delay his plan for a meeting between Rachel and Vee.
- Rachel Menzies
Rachel apologizes for her earlier words but forcefully condemns Vee Tracy's film as a tool of reactionary propaganda, expressing deep anger over its portrayal of Russia and its impact on workers.
- Vee Tracy
Vee is discussed by Bunny and Rachel; Rachel accuses her of being a prostitute for accepting payment to star in a film that slanders the Russian Revolution.
Key passages
“The real harm is one she can never atone for—that hideous picture that’s going out to poison the people’s minds—millions upon millions of them.”
Rachel insists that the true damage is the film itself, which will corrupt the thinking of countless people, and that this is something Vee can never make amends for.
Rachel emphasizes the far-reaching social harm of propaganda over personal offenses.
“A woman who makes a picture like that is nothing but a prostitute, and the fact that she’s highly paid makes her all the more loathsome.”
Rachel declares that any woman who participates in such a film is morally equivalent to a prostitute, and the high payment only makes her more contemptible.
Rachel's harsh judgment reflects her view that art and politics are inseparable, and that complicity in reactionary propaganda is a profound betrayal.