Of Human Bondage · Chapter
XL explained
Philip begins his art studies at Amitrano's studio in Paris, where he meets the earnest but charmless Fanny Price, who offers him technical guidance, and the sardonic Clutton, who dismisses formal training.
What happens
Philip begins his art studies at Amitrano's studio in Paris, where he meets the earnest but charmless Fanny Price, who offers him technical guidance, and the sardonic Clutton, who dismisses formal training. He also encounters other students and experiences the bohemian atmosphere of the Latin Quarter.
Themes in this chapter
Art and Authenticity
Philip's entry into the art world highlights the tension between academic training and individual expression, as seen in Clutton's dismissal of formal schools and Miss Price's earnest but flawed technique.
Isolation and Belonging
Philip feels both out of place and exhilarated among the students, struggling to find his footing in a new social environment.
Characters to notice
- Philip Carey
Starts art school at Amitrano's, buys drawing materials, and receives initial instruction from Fanny Price.
- Miss Price
A serious, hardworking student who helps Philip with his drawing despite her own struggles and lack of charm.
- Clutton
A cynical, impoverished student who dismisses the value of art schools and engages in banter with Miss Price.
- Mrs. Otter
Introduces Philip to the studio and advises him on materials and caution with foreigners.
- Frederick Lawson
Mentioned as one of the students at Gravier's restaurant during lunch.
- Mr. Flanagan
Mentioned as one of the students at Gravier's restaurant during lunch.
Key passages
“I shall be going to Amitrano's about nine tomorrow, and if you'll be there then I'll see that you get a good place and all that sort of thing.”
Mrs. Otter offers to help Philip get settled at the studio the next morning.
Philip's introduction to the art school.
“The only way to learn to paint is to take a studio, hire a model, and just fight it out for yourself.”
Clutton argues that formal art schools are useless and that self-directed practice is the only path.
Clutton's cynical view on art education.
“You've made an impression on Fanny Price. You'd better look out.”
Clutton warns Philip that Fanny Price has taken notice of him.
Foreshadowing of Fanny's potential interest in Philip.