Much Ado About Nothing · Chapter
Scene IV: Hero's Wedding Preparations explained
In Hero's apartment, she prepares for her wedding with the help of Margaret and Ursula.
What happens
In Hero's apartment, she prepares for her wedding with the help of Margaret and Ursula. Margaret playfully teases Hero about marriage, and when Beatrice arrives, she is unusually melancholic. Margaret and Hero subtly tease Beatrice about her feelings for Benedick, hinting at her transformation. The scene ends with Ursula announcing that the prince, Claudio, Benedick, Don John, and others have come to escort them to church.
Themes in this chapter
Wit and Wordplay
Margaret and Beatrice engage in rapid-fire puns and double entendres, especially around the word 'Benedictus' and 'light o' love'.
Love and Marriage
The scene centers on Hero's impending wedding and the playful teasing of Beatrice about her own romantic feelings.
Appearance vs. Reality
Beatrice's outward sickness and melancholy contrast with the hidden truth of her growing affection for Benedick.
Characters to notice
- Hero
Hero is preparing for her wedding, feeling heavy-hearted despite the joyful occasion.
- Margaret
Margaret engages in witty banter with Hero and Beatrice, teasing them about marriage and love.
- Beatrice
Beatrice appears uncharacteristically melancholic and sick, prompting teasing about her feelings for Benedick.
- Ursula
Ursula delivers the message that the wedding party has arrived to fetch Hero to church.
Key passages
“God give me joy to wear it! for my heart is exceeding heavy.”
Hero expresses a wish for happiness in her wedding dress, but admits she feels deeply troubled.
Hero's foreboding contrasts with the festive mood of wedding preparations.
“Benedictus ! why Benedictus ? you have some moral in this Benedictus .”
Beatrice suspects that Margaret's mention of 'Carduus Benedictus' is a veiled reference to Benedick.
Beatrice's quick wit reveals her awareness of the matchmaking plot.
“Yet Benedick was such another, and now is he become a man: he swore he would never marry, and yet now, in despite of his heart, he eats his meat without grudging.”
Margaret points out that Benedick, who once swore off marriage, has now changed his ways, implying Beatrice might too.
Margaret's teasing reinforces the theme of transformation in love.