Miss Marjoribanks · Chapter
I explained
Fifteen-year-old Lucilla Marjoribanks returns home from school after her mother's death, having rehearsed a dramatic scene of filial devotion and sacrifice.
What happens
Fifteen-year-old Lucilla Marjoribanks returns home from school after her mother's death, having rehearsed a dramatic scene of filial devotion and sacrifice. However, her practical father, Dr. Marjoribanks, gently but firmly rejects her offer to stay and be a comfort to him, insisting she return to school. Lucilla is left feeling defeated and disappointed.
Themes in this chapter
Self-Perception and Ego
Lucilla's elaborate rehearsal of her grief and her imagined role as a comfort to her father highlight her self-absorption and the gap between her self-image and reality.
Gender Roles and Female Agency
Lucilla's desire to become mistress of the house and her father's comforter reflects the limited domestic agency available to young women, while her father's dismissal underscores her lack of real power.
Practicality vs. Romance
Dr. Marjoribanks's pragmatic, unemotional response contrasts sharply with Lucilla's romantic, novel-inspired vision of filial devotion.
Characters to notice
- Lucilla Marjoribanks
A large, well-developed girl of fifteen, not yet pretty but with potential for 'grandiose' beauty. She is imaginative, self-dramatizing, and eager to assume the role of mistress of her father's house, but is rebuffed by her father.
- Dr. Marjoribanks
Lucilla's widowed father, a busy and practical man who is not given to emotional displays. He calmly insists Lucilla return to school, rejecting her offer of sacrifice.
- Mrs. Marjoribanks
Lucilla's deceased mother, who had been an invalid for many years and was largely neglected by the household. Her death leaves little visible change except to her maid.
- Nancy
Mrs. Marjoribanks's maid, who laments the loss of her mistress and her own lost occupation.
Key passages
“Miss Marjoribanks was not vain; but the word had taken possession of her imagination, as was natural, and solaced her much when she made the painful discovery that her gloves were half a number larger, and her shoes a hair-breadth broader, than those of any of her companions”
Lucilla was not conceited, but the idea that she might become 'grandiose' comforted her when she noticed her hands and feet were larger than her schoolmates'.
Reveals Lucilla's self-consciousness about her physical size and her reliance on flattering future possibilities.
“I am not fond of sacrifices, either one way or another; and I've a great objection to anyone making a sacrifice for me”
Dr. Marjoribanks tells Lucilla he dislikes the idea of anyone sacrificing themselves for him, rejecting her offer to stay home.
Highlights the Doctor's practical, no-nonsense character and his refusal to indulge Lucilla's dramatic plans.