Metropolis · Chapter
XIX explained
Maria seeks refuge in the cathedral as the city descends into chaos, while Freder rescues her and they share a tender moment.
What happens
Maria seeks refuge in the cathedral as the city descends into chaos, while Freder rescues her and they share a tender moment. She urges him to go to his father, then returns to care for the children in the 'House of the Sons.' Meanwhile, a mob pursues a girl mistaken for a witch, and the monk Desertus leads a procession of flagellants, proclaiming doomsday.
Themes in this chapter
Class Division and Exploitation
The contrast between the wealthy 'House of the Sons' and the desperate workers highlights class conflict, as Maria brings children to the care of former playthings.
Rebellion and Revolution
The mob's pursuit of a scapegoat and the flagellants' procession symbolize revolutionary chaos and the breakdown of order.
Religious and Mythological Symbolism
The cathedral, the Archangel Michael's bell, and Desertus's crucifixion imagery evoke apocalyptic and biblical themes.
Characters to notice
- Maria
Flees to the cathedral in despair, collapses, then is rescued by Freder. She kisses him and sends him to his father, later returns to the children.
- Freder
Carries Maria to safety, expresses longing for her affection, and obeys her request to go to his father.
- Desertus
Leads the Gothics in a procession, hanging on a cross and proclaiming the destruction of the world.
- Maohee
Leads the dancers, taunting Desertus and inciting chaos.
Key passages
“She stumbled up the cathedral steps, stumbled through the portal, perceived the odour of incense, saw little, pious candles of intercession before the image of a gentle saint who was suffering smilingly, and collapsed on to the flags.”
Maria, exhausted and desperate, climbs the cathedral steps, enters, and faints on the floor amid incense and candles.
Maria's flight to the cathedral as a refuge from the mob.
“Go to your father. That is the most hallowed wayвБ†вАКвБ†вА¶ I shall go to the children as soon as my clothes are a little dryer.”
Maria tells Freder to visit his father, calling it a sacred duty, and says she will tend to the children once she is dry.
Maria's directive to Freder, emphasizing reconciliation and her maternal role.