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Marius the Epicurean · Chapter

Endnotes explained

This chapter provides endnotes and citations for the main text, referencing classical and literary sources such as Lucian, Homer, Lucretius, Horace, Apuleius, Spenser, Virgil, and the Bible, as well as definitions and translations by the au

What happens

This chapter provides endnotes and citations for the main text, referencing classical and literary sources such as Lucian, Homer, Lucretius, Horace, Apuleius, Spenser, Virgil, and the Bible, as well as definitions and translations by the author.

Themes in this chapter

  • The Role of Art and Literature in Shaping Experience

    The extensive citations from Homer, Virgil, Horace, and others underscore how classical literature informs the narrative and its themes.

  • Death, Mortality, and the Hope of Afterlife

    References to Virgil's 'tears of things' and the Catholic prayer for the departing highlight the theme of mortality and compassion.

Key passages

  • A winter’s dream, when nights are longest.

    A dream occurring in winter, during the longest nights.

    Cited from Lucian, The Dream.

  • Emanation from a thing of beauty.

    An outflow or radiation from a beautiful object.

    Author's translation or gloss.

  • O sea! O shore! my own Helicon, how many things have you uncovered to me, how many things suggested!

    O sea and shore, my personal source of inspiration, how much you have revealed and inspired in me!

    From Pliny, Letters, Book I, ix.

  • Such as the gods are endowed with.

    Of the kind that the gods possess.

    From Homer, Odyssey 8.365.

  • To write beautifully.

    To produce beautiful writing.

    Author's note.

  • When they had safely made deep harbor They took in the sail, laid it in their black ship … And went ashore just past the breakers.

    After safely reaching the deep harbor, they furled the sail, stowed it in their dark ship, and disembarked beyond the surf.

    From Homer, Iliad 1.432–33, 437.

Marius the Epicurean — Endnotes Explained