Look Homeward, Angel · Chapter
The Angel explained
Gant, now aging and increasingly sentimental, spends his afternoons gossiping on the Square.
What happens
Gant, now aging and increasingly sentimental, spends his afternoons gossiping on the Square. He sells the Carrara marble angel he has kept for years to Elizabeth, a prosperous madam, for her deceased employee Lily's grave. The transaction stirs in him a complex mix of regret, vanity, and a lingering attachment to the statue he privately calls 'Cynthia.'
Themes in this chapter
The American Dream and Materialism
Elizabeth's wealth, earned through her brothel, contrasts with Gant's declining fortunes; the sale of the angel for $420 underscores the commodification of art and sentiment.
Loss, Innocence, and the Passage of Time
Gant's aging body, the death of young Lily, and the sale of the angel all highlight the inexorable passage of time and loss of innocence.
The Power of Memory and the Past
Gant's attachment to the angel, which he drunkenly calls 'Cynthia,' shows how memory and past loves haunt him.
Characters to notice
- Oliver Gant
Aging and stooped, Gant spends his days gossiping on the Square, weeping over his stiffened hand, and selling his beloved angel statue to Elizabeth.
- Eliza Gant
Not directly present, but Gant's thoughts of home and family are implied; Eliza is not mentioned in this chapter.
- Helen Gant
Gant questions Helen about young women, and she mockingly teases him about his flirtations.
- Lily Jones
The deceased young woman for whom Elizabeth buys the angel; she is remembered as pretty and twenty-two years old.
Key passages
“Soaked in pity, he referred to himself as 'the poor old cripple who has to provide for them all.'”
He wallowed in self-pity, calling himself a helpless invalid who must still support his family.
Gant's manipulative self-pity as he ages.
“I want the angel out front.”
Elizabeth insists on buying the marble angel displayed on Gant's porch.
The pivotal moment of the chapter: Elizabeth's purchase of the angel.
“Sometimes when he was drunk he fell weeping on his knees before it, called it Cynthia, and entreated its love, forgiveness, and blessing for its sinful but repentant boy.”
When drunk, Gant would kneel before the angel, weeping, calling it Cynthia, and begging for its forgiveness and love.
Gant's sentimental and drunken attachment to the statue.