Leaves of Grass · Chapter
One's-Self I Sing explained
The poet declares his intent to sing of the individual self, yet simultaneously of the democratic collective.
What happens
The poet declares his intent to sing of the individual self, yet simultaneously of the democratic collective. He celebrates the complete human form—body and soul, male and female—and the modern individual acting freely under divine laws.
Themes in this chapter
Individuality and Self
The poem opens by singing the 'simple separate person,' affirming the primacy of the individual.
Democracy and Equality
The poet 'utters the word Democratic, the word En-Masse,' linking the individual to the collective.
Unity of Soul and Body
The 'Form complete' is celebrated, rejecting the separation of physiognomy and brain.
Characters to notice
Key passages
“One's-self I sing, a simple separate person, Yet utter the word Democratic, the word En-Masse.”
I celebrate the individual, but also the democratic collective.
Sets up the central tension between self and society.
“Of physiology from top to toe I sing, Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far.”
I sing of the whole body, not just the face or mind; the complete form is more valuable.
Emphasizes holistic unity of body and soul.
“The Female equally with the Male I sing.”
I sing of women and men as equals.
Affirms gender equality.
“Of Life immense in passion, pulse, and power, Cheerful, for freest action form’d under the laws divine, The Modern Man I sing.”
I sing of life full of passion and power, acting freely under divine laws—this is the modern human.
Defines the modern individual as both free and divinely guided.