Why does Rochester disguise himself and stage the charades at Thornfield?

Rochester’s disguises and house-party games — including the fortune-teller episode — let him test Jane’s feelings while he still hides Bertha. He manages desire the way he manages the attic: by controlling what Jane is allowed to know. The playfulness is real; the asymmetry is too. Jane is asked to read his moods without reading his legal fact.

These scenes matter because they show courtship as incomplete information. When the wedding fails, the earlier games look less like romance and more like management. Pair them with the confinement concept: secrecy is not only a locked door upstairs; it is also theater downstairs.