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Hamlet · Chapter

Scene I explained

In a graveyard, Hamlet encounters a gravedigger who unearths the skull of Yorick, the former court jester.

What happens

In a graveyard, Hamlet encounters a gravedigger who unearths the skull of Yorick, the former court jester. Hamlet reflects on mortality and the inevitability of death. The funeral procession of Ophelia arrives, and Hamlet reveals himself, leading to a confrontation with Laertes in her grave. The King and Queen intervene, and Claudius plots to settle matters with Laertes.

Themes in this chapter

  • Mortality and the Afterlife

    Hamlet's meditation on Yorick's skull and the fate of Alexander and Caesar underscores the universal decay of the body and the leveling power of death.

  • Madness and Melancholy

    Hamlet's erratic behavior at Ophelia's grave and his claim to have loved her more than forty thousand brothers suggest a volatile emotional state.

  • Appearance vs. Reality

    The gravedigger's equivocation and Hamlet's musings on the skull of a lawyer highlight the deceptive nature of status and identity.

Characters to notice

  • Hamlet

    Reflects on mortality while holding Yorick's skull, then confronts Laertes at Ophelia's grave.

  • Laertes

    Grieves for Ophelia and quarrels with Hamlet in her grave.

  • Ophelia

    Her funeral procession takes place; she is buried with maimed rites due to suspected suicide.

  • King Claudius

    Observes the confrontation and instructs Horatio to watch Hamlet, planning to proceed with his scheme.

  • Queen Gertrude

    Scatters flowers on Ophelia's grave and expresses her wish that Ophelia had married Hamlet.

  • Horatio

    Accompanies Hamlet in the graveyard and tries to calm him during the quarrel.

  • First Clown

    The gravedigger who unearths Yorick's skull and engages in witty banter with Hamlet.

  • Yorick

    The king's jester, whose skull is exhumed and prompts Hamlet's meditation on death.

Key passages

  • Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rises at it.

    Hamlet laments the skull of Yorick, recalling his lively personality and the physical decay that now repulses him.

    This moment crystallizes Hamlet's confrontation with mortality.

  • I loved Ophelia: forty thousand brothers Could not, with all their quantity of love, Make up my sum.

    Hamlet declares that his love for Ophelia surpasses that of any possible brothers.

    Hamlet's claim comes during his quarrel with Laertes, asserting his grief.

  • To what base uses we may return, Horatio! Why may not imagination trace the noble dust of Alexander, till he find it stopping a bung-hole?

    Hamlet reflects that even the greatest figures like Alexander the Great eventually become common dust, possibly used to plug a barrel.

    This illustrates the theme of mortality and the leveling effect of death.