Themes & patterns

The protagonist George Arthur Rose is portrayed as a lonely, misunderstood writer and artist, worn down by years of hope deferred, loneliness, and unrewarded toil, finding solace only in his cat Flavio.

The narrative explores the tension between spiritual authority and worldly power, as Hadrian the Seventh navigates the politics of the Vatican, confronts media libels, and grapples with the moral compromises of leadership.

The book critiques institutional religion, depicting cardinals and clergy as often self-serving, while the protagonist strives for genuine faith and apostolic simplicity, contrasting with the pomp and intrigue of the Church.

Hadrian struggles with his own identity, facing public vilification and internal doubt, questioning whether he is the contemptible figure portrayed in the press or a true servant of God.

The theme of love appears in various forms—from the protagonist's affection for his cat to his pastoral care for others, culminating in his ultimate sacrifice and martyrdom, suggesting love as the key to resolving difficulties.

The book highlights class distinctions through characters like the impoverished writer, the manipulative Mrs. Crowe, and the humble dentist's daughter, with Hadrian's charity often directed at the poor and marginalized.

Hadrian is preoccupied with death, counting his heartbeats, preparing his corpse for a dignified pose, and contemplating the afterlife, reflecting a deep existential anxiety and a longing for rest.

The protagonist's identity as a writer and artist is central, with detailed descriptions of his creative process, his disdain for vulgar journalism, and his pursuit of beauty and truth through language and imagery.

Hadrian confronts personal vendettas and media attacks, seeking to understand the motives behind his persecution while ultimately choosing mercy over revenge, though the narrative is marked by a desire for righteous retribution.