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Eugene Onegin · Chapter

XXII explained

The narrator reflects on the vanity and meticulous grooming habits of Eugene Onegin, who spends three hours daily before the mirror, dressing with pedantic foppishness, likened to Venus in male attire.

What happens

The narrator reflects on the vanity and meticulous grooming habits of Eugene Onegin, who spends three hours daily before the mirror, dressing with pedantic foppishness, likened to Venus in male attire.

Themes in this chapter

  • The Aristocratic Malaise

    Onegin's excessive concern with grooming and societal opinion reflects the ennui and superficiality of aristocratic life.

Characters to notice

  • Eugene Onegin

    Depicted as a fop who spends three hours daily before the looking-glass, concerned with fashion and the world's remarks.

Key passages

  • The most industrious man alive May yet be studious of his nails; What boots it with the age to strive? Custom the despot soon prevails.

    Even the hardest-working person can be preoccupied with trivial grooming; it is futile to resist the tyranny of social custom.

    Introduces the theme of societal pressure and vanity.

  • Three mortal hours per diem he Would loiter by the looking-glass, And from his dressing-room would pass Like Venus when, capriciously, The goddess would a masquerade Attend in male attire arrayed.

    He spent three hours each day in front of the mirror, emerging from his dressing room like Venus dressing up in men's clothes for a costume ball.

    Highlights Onegin's vanity and the narrator's ironic comparison to a goddess.

Eugene Onegin — XXII Explained