Domnei · Chapter
Critical Comment explained
This chapter provides a critical commentary on the life and works of Thomas Upcliffe Nicolas de Caen, an early French romance writer.
What happens
This chapter provides a critical commentary on the life and works of Thomas Upcliffe Nicolas de Caen, an early French romance writer. It discusses his biographical details, his literary output, and the modern reassessment of his contributions, highlighting his narrative skill, knowledge of his age, and occasional modernity of thought.
Themes in this chapter
Idealism vs. Cynicism
Nicolas's naive faith in his king, his lady, and his God contrasts with modern emancipated spirits who view his worldview with a mixture of smile and respect, calling it 'Sancta simplicitas'.
The Nature of True Love
The Tale of Melicent centers on Perion's stubborn desire for Melicent, reflecting the romantic ideal of love as a driving force for perilous quests.
Characters to notice
- Nicolas de Caen
The subject of the critical commentary; his life, works, and literary reputation are examined.
- Melicent
Referenced as the 'silly damosel' whom Perion desires in Nicolas's Tale of Melicent.
- Perion de la Forêt
Mentioned as the stubbornly desiring protagonist of Nicolas's Tale of Melicent.
Key passages
“Thomas Upcliffe Nicolas de Caen, one of the most eminent of the early French writers of romance, was born at Caen in Normandy early in the 15th century, and was living in 1470.”
Nicolas de Caen, a notable early French romance author, was born in Caen, Normandy, in the early 1400s and was still alive in 1470.
Establishes the author's identity and lifespan.
“Nicolas de Caen was not greatly esteemed nor highly praised by his contemporaries, or by writers of the century following, but latterly has received the recognition due to his unusual qualities of invention and conduct of narrative, together with his considerable knowledge of men and manners, and occasional remarkable modernity of thought.”
Though initially overlooked and underappreciated by his peers and later critics, Nicolas de Caen has recently been acknowledged for his inventive storytelling, narrative skill, deep understanding of human nature, and surprisingly modern ideas.
Highlights the shift in critical reception of Nicolas's work.
“Nicolas croyait à son Roy et à sa Dame, il croyait surtout à son Dieu. Nicolas sentait que le monde était semé à chaque pas d’obscurités et d’embûches, et que l’inconnu était partout; partout aussi était le protecteur invisible et le soutien; à chaque souffle qui frémissait, Nicolas croyait le sentir comme derrière le rideau.”
Nicolas believed in his king, his lady, and above all in his God. He felt the world was full of darkness and traps at every step, with the unknown everywhere, but also everywhere the invisible protector and support; at every trembling breath, he believed he could sense that presence as if behind a curtain.
Describes Nicolas's devout and trusting worldview.