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Crime and Punishment · Chapter

Chapter III explained

The chapter details Pyotr Petrovich Luzhin's bitter reflections after being rejected by Dunya, revealing his vanity, self-interest, and the fantasy of power that motivated his proposal.

What happens

The chapter details Pyotr Petrovich Luzhin's bitter reflections after being rejected by Dunya, revealing his vanity, self-interest, and the fantasy of power that motivated his proposal. The scene then shifts to the relief and reconciliation of the Raskolnikov family after the rupture with Luzhin. The conversation turns to Svidrigailov's mysterious offer of ten thousand roubles to Dunya, which creates anxiety and suspicion. The chapter ends with a tense, unspoken understanding passing between Raskolnikov and Razumihin, causing Razumihin to return to the family as their protector.

Themes in this chapter

  • Psychological Torment

    Luzhin's internal monologue reveals his wounded vanity and shattered self-image. Dunya experiences disproportionate terror at Svidrigailov's offer, and a moment of hideous, unspoken understanding passes between Raskolnikov and Razumihin.

  • Poverty and Desperation

    Pulcheria Alexandrovna's relief over Marfa Petrovna's three thousand roubles highlights their dire financial straits, which initially made Luzhin's proposal tempting despite his character.

Characters to notice

  • Raskolnikov

    Appears sullen and indifferent after Luzhin's departure. He relays Svidrigailov's unsettling offer to Dunya and expresses confusion about Svidrigailov's motives. Shares a moment of silent, awful understanding with Razumihin.

  • Dostoevsky

    The narrative voice provides deep psychological insight into Luzhin's character, exposing his conceit, vanity, and the predatory nature of his marital fantasies.

  • Mihail Dostoevsky

    Referenced indirectly through the narrative's focus on psychological torment and moral conflict, characteristic of the author's thematic concerns.

Key passages

  • Pyotr Petrovitch, who had made his way up from insignificance, was morbidly given to self-admiration, had the highest opinion of his intelligence and capacities...

    Luzhin, a self-made man, suffers from extreme vanity and an inflated sense of his own worth.

    Exposes the core of Luzhin's character: his intellectual arrogance and deep-seated insecurity.

  • He brooded with relish... over the image of a girl—virtuous, poor... one who would all her life look on him as her saviour, worship him, admire him and only him.

    Luzhin fantasized about marrying a poor, humble girl who would be eternally grateful and subservient to him.

    Reveals the predatory and power-driven nature of his desire, not love.

  • "No, I, I am more to blame than anyone!" said Dounia... "I was tempted by his money, but on my honour, brother, I had no idea he was such a base man."

    Dunya admits her mistake was being tempted by Luzhin's money, not realizing how vile he truly was.

    Shows Dunya's honesty and remorse, and the pressure of poverty on her decision-making.

  • Something strange, as it were, passed between them... Some idea, some hint, as it were, slipped, something awful, hideous, and suddenly understood on both sides.

    A terrible, unspoken understanding passed between Raskolnikov and Razumihin.

    A pivotal moment of non-verbal communication hinting at Raskolnikov's secret guilt.