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Crime and Punishment · Chapter

II explained

Raskolnikov, weary of his isolation, enters a filthy tavern seeking human company.

What happens

Raskolnikov, weary of his isolation, enters a filthy tavern seeking human company. He is approached by Marmeladov, a drunken, ruined former titular counsellor, who launches into a lengthy, self-lacerating monologue about his poverty, his family's suffering, and his daughter Sonya's prostitution, which he feels he has driven her to. The monologue reveals the depths of his degradation and the social and moral collapse of his family.

Themes in this chapter

  • Poverty and Desperation

    Vividly embodied by Marmeladov: his filthy appearance, sleeping on hay barges, his family's starvation, and his daughter's prostitution out of economic necessity. He articulates the humiliation of beggary.

  • Alienation and Isolation

    Raskolnikov's contradictory desire for and aversion to company. Marmeladov's drunken speeches are described as a necessity born of being suppressed at home, seeking justification and 'consideration' from strangers.

  • Suffering and Resignation

    Marmeladov's entire speech is a performance of resigned suffering. He accepts his role as a 'scoundrel' and 'worm,' and speaks of how his family has 'wept over it and grown used to it,' illustrating a grim acceptance of misery.

Characters to notice

  • Raskolnikov

    Seeks escape from his mental torment in the company of strangers at a tavern, but his habitual aversion to people surfaces when Marmeladov addresses him directly. He listens to Marmeladov's confession.

  • the landlady

    Mentioned indirectly as part of the reason Marmeladov frequents the tavern—to escape being 'looked after sharply and kept in order at home.'

Key passages

  • He was so weary after a whole month of concentrated wretchedness and gloomy excitement that he longed to rest, if only for a moment, in some other world, whatever it might be...

    Exhausted by his intense mental anguish, Raskolnikov desperately craved a temporary escape into any reality other than his own.

    Highlights Raskolnikov's psychological state post-murder, seeking distraction from his inner turmoil.

  • "Poverty is not a vice, that’s a true saying. Yet I know too that drunkenness is not a virtue, and that that’s even truer. But beggary, honoured sir, beggary is a vice."

    Marmeladov distinguishes between poverty (which can preserve dignity) and beggary (which is inherently degrading and vicious).

    A key philosophical distinction from Marmeladov, outlining his own perceived moral descent beyond mere poverty.

  • "For every man must have somewhere to go. Since there are times when one absolutely must go somewhere!"

    Marmeladov argues that a desperate, compulsive need for refuge justifies his actions, like going to the tavern or his daughter's prostitution.

    Expresses a fundamental existential and social desperation driving characters to degradation.