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Beyond Good and Evil · Chapter

On German Style and the Art of Reading explained

Nietzsche contrasts the ancient art of reading aloud, which cultivated a refined ear and physiological mastery of speech, with the modern German practice of silent reading.

What happens

Nietzsche contrasts the ancient art of reading aloud, which cultivated a refined ear and physiological mastery of speech, with the modern German practice of silent reading. He argues this has led to a poor German prose style, with the notable exception of the pulpit oratory that produced Luther's Bible, which he considers the true masterpiece of German prose.

Themes in this chapter

  • Critique of Modernity

    Critiques modern Germans as being 'short of breath in every sense,' lacking the physiological and artistic refinement of the ancients in speech and writing.

Characters to notice

  • The Germans

    Criticized for reading silently with their eyes, not their ears, leading to a poor sense of style and harmony in writing. Their good musicians are said to write badly.

  • Demosthenes

    Cited as an exemplar of ancient oratory, whose complex, breath-contained periods were a pleasure and a marvel to the refined ear of antiquity.

  • Cicero

    Presented alongside Demosthenes as a master of the physiological, breath-based period that constituted high art in ancient public speaking.

  • Martin Luther

    Implied as the author/translator of the Bible, which is declared the masterpiece of German prose, rooted in German hearts unlike mere 'literature'.

Key passages

  • The German does not read aloud, he does not read for the ear, but only with his eyes; he has put his ears away in the drawer for the time.

    Germans engage in silent, visual reading, neglecting the auditory dimension of language.

    Highlights a sensory deficit in modern German culture.

  • In the ancient sense, a period is above all a physiological whole, inasmuch as it is comprised in one breath.

    Ancient rhetorical periods were artistic units defined by the physical capacity of a single breath.

    Connects artistic form to bodily discipline and capability.

  • The masterpiece of German prose is therefore with good reason the masterpiece of its greatest preacher: the Bible has hitherto been the best German book.

    Luther's Bible is the pinnacle of German writing because it springs from the only traditionally cultivated German art of public speech: preaching.

    Elevates a religious text as the supreme secular artistic achievement due to its oratorical roots.