Bertram Cope’s Year · Chapter
Cope Again in the Country explained
Medora Phillips sends Hortense south for her health and then takes Cope, Carolyn, and servants to the dunes for a spring weekend.
What happens
Medora Phillips sends Hortense south for her health and then takes Cope, Carolyn, and servants to the dunes for a spring weekend. Cope enjoys the natural setting and feels relief from his romantic entanglements with Amy and Hortense, but Medora continues to assert her control, positioning herself between Cope and Carolyn. Meanwhile, Arthur Lemoyne is consumed by rehearsals for a musical comedy, causing Cope concern.
Themes in this chapter
Social Manipulation and Patronage
Medora orchestrates the trip, sends Hortense away, and deliberately positions herself between Cope and Carolyn to maintain control.
Escape and Confinement
Cope finds temporary relief in the dunes from his romantic entanglements, but Medora's presence and the looming prison on the horizon suggest ongoing constraints.
Performance and Artifice
Lemoyne's intense involvement in a musical comedy, including playing a female role, highlights the theme of performance both onstage and in social life.
Characters to notice
- Bertram Cope
Accompanies Medora and Carolyn to the dunes; feels relief from past romantic complications; concerned about Lemoyne's neglect of his studies.
- Medora Phillips
Orchestrates the trip; sends Hortense south; positions herself between Cope and Carolyn; continues her subtle manipulation.
- Carolyn Thorpe
Accompanies the group; described as unaggressive and sensible; Medora views her as a potential rival to be 'extirpated'.
- Arthur Lemoyne
Remains behind due to rehearsals for a musical comedy; Cope worries about his neglect of academic work.
- Hortense Dunton
Sent south by Medora for her health; mentioned as having previously harried Cope with her watercolors and literary talk.
- Helga
Servant who helps set up the house in the dunes.
Key passages
“Carolyn was a sweet young flower, doubtless—humbler, possibly, than Amy or Hortense; yet she too perhaps must be extirpated, gently but firmly, from the garden of desire.”
Medora sees Carolyn as a gentle rival who must be removed from Cope's affections.
Reflects Medora's possessive and manipulative attitude toward Cope.
“Cope, with a light sigh, returned to his post on the settle and to his share in the firelight.”
Cope reluctantly complies with Medora's demand to sit beside her.
Shows Cope's passive resistance to Medora's control.
“All those things were past, and he was free.”
Cope feels liberated from his earlier romantic complications with Amy and Hortense.
Highlights Cope's desire for escape and emotional relief.