Bertram Cope’s Year · Chapter
XXIII: Cope Regains His Freedom explained
Cope receives a call from Amy, who is upset by his neglect.
What happens
Cope receives a call from Amy, who is upset by his neglect. After a tense phone conversation, Amy abruptly ends the engagement. Lemoyne helps Cope draft a breakup letter, but before he can send it, Amy sends a note breaking off the engagement herself. Cope is relieved and writes a final letter. Soon after, Amy becomes engaged to George Pearson, and Cope resolves to focus on his thesis.
Themes in this chapter
Unrequited and Ambiguous Desire
Cope's relief at ending his engagement to Amy contrasts with Lemoyne's possessive support, highlighting ambiguous emotional ties.
Escape and Confinement
Cope feels trapped by the engagement and his obligations; breaking free allows him to focus on his thesis and personal freedom.
Performance and Artifice
Lemoyne's theatrical mindset influences the breakup letter, and Amy's final note mirrors the draft, suggesting a scripted quality to their emotions.
Characters to notice
- Bertram Cope
Ends his engagement to Amy, feels relief, and decides to focus on his thesis.
- Arthur Lemoyne
Supports Cope through the breakup, drafts a letter, and pursues his own theatrical ambitions.
- Amy Leffingwell
Calls Cope to confront his neglect, then sends a note breaking off the engagement; soon becomes engaged to George Pearson.
- Basil Randolph
Waits for Cope but is stood up; learns of Cope's engagement ending and remains disappointed.
- Joe Foster
Expresses anger at Cope's ingratitude toward Randolph.
- George F. Pearson
Proposes to Amy and gives her a ring, becoming her fiancé.
Key passages
““Now I will settle down to work on my thesis,” he said, “and get my degree at the June convocation.””
Cope declares his intention to focus on his academic work and graduate in June.
Shows Cope's renewed commitment to his studies after the engagement ends.
““She does not feel that we are quite so well suited to each other as we ought to be, nor that her feeling toward me is what love really … Can she have been in dramatics too!””
Cope exclaims that Amy's breakup note uses the same language as the draft he and Lemoyne wrote, suggesting a theatrical quality to the situation.
Highlights the theme of performance and artifice in personal relationships.
“Cope dropped it in with an iron clang and walked back to his quarters a free man.”
Cope mails his final letter to Amy and feels liberated from the engagement.
Emphasizes the theme of escape and confinement.