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Bellarion the Fortunate · Chapter

VI: The Winds of Fate explained

Bellarion, having left the convent, infiltrates Casale by posing as a drunken reveller and gains entry to the house of Lord Barbaresco by claiming kinship.

What happens

Bellarion, having left the convent, infiltrates Casale by posing as a drunken reveller and gains entry to the house of Lord Barbaresco by claiming kinship. Through skillful questioning, he extracts from Barbaresco the details of a conspiracy led by Princess Valeria to overthrow the Regent Theodore of Montferrat during the minority of Gian Giacomo. Bellarion learns of Theodore's cunning and ruthless methods, influenced by Gian Galeazzo Visconti, and perceives the perilous nature of Valeria's noble but ill-founded enterprise.

Themes in this chapter

  • Deception and Identity

    Bellarion adopts a false identity as Barbaresco's cousin and a messenger from the Princess, using lies and acting to navigate the conspiracy.

  • Ambition and Power

    Barbaresco's ambition to lead the council of regency and Theodore's ruthless pursuit of power through intrigue are central to the chapter.

  • Fortune and Fate

    Bellarion is described as a 'poor straw upon the winds of Fate,' launched into events beyond his control by chance encounters.

  • Chivalry and Idealism

    Princess Valeria's noble but reckless enterprise to save her brother reflects a chivalric ideal, contrasted with the cynical realism of Barbaresco and Theodore.

Characters to notice

  • Bellarion

    Enters Casale under a false identity, lies to the watch and to Barbaresco, and skillfully extracts information about the conspiracy against the Regent.

  • Messer Barbaresco

    Believes Bellarion to be a cousin and a messenger from Princess Valeria; reveals the details of the conspiracy and his own ambitions.

  • Valeria of Montferrat

    Described as the heart of the movement to overthrow Theodore; her courage and high-mindedness are noted, though her enterprise is seen as perilous.

  • Theodore of Montferrat

    The Regent of Montferrat, portrayed as crafty and unscrupulous, having learned intrigue from Gian Galeazzo Visconti.

  • Gian Giacomo

    The rightful heir, a minor, whose regency is being usurped by Theodore.

  • Gian Galeazzo Visconti

    Referenced as the 'Great Viper' whose methods of intrigue and manipulation influenced Theodore.

  • Lorenzaccio da Trino

    Mentioned as the brigand whose actions inadvertently set Bellarion on his current path.

Key passages

  • It was a bold lie, but one which he could support at least and at need by proofs of scholarliness.

    Bellarion told a daring falsehood, but he could back it up with his scholarly knowledge if challenged.

    Bellarion's quick thinking and use of his education to maintain his cover.

  • Interest is ever the best spur to endeavour.

    Self-interest is the strongest motivator for action.

    Barbaresco's cynical worldview, which Bellarion pretends to share.

  • He was strategist enough to conceal it, even to reflect something of that same cynicism in his own expression, so that Barbaresco, believing him a kindred spirit, should expand the more freely.

    Bellarion was cunning enough to hide his mistrust and mimic Barbaresco's cynicism, encouraging Barbaresco to speak openly.

    Bellarion's manipulative skill in extracting information.

  • If he lacked the godlike power of rendering them mad, at least he possessed the devilish craft of rendering them by their own acts detestable, so that in the end it was their own kin or their own subjects who pulled them down.

    Though Theodore could not drive his enemies insane, he had the diabolical skill to make them act in ways that turned their own families and people against them.

    Description of Theodore's methods, learned from Gian Galeazzo Visconti.

  • Heaven will befriend a cause so righteous.

    God will support a just cause.

    Barbaresco's pious but vague assurance, which Bellarion doubts.