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Barriers Burned Away · Chapter

XIV: She Speaks to Him explained

Christine Ludolph begins to plan a rearrangement of the store, studying its layout and sketching ideas.

What happens

Christine Ludolph begins to plan a rearrangement of the store, studying its layout and sketching ideas. Dennis Fleet, working as a bootblack, longs to assist her but feels humiliated by his menial role. When Christine finally speaks to him, it is only to ask him to move out of her way, and his awkward response leads to embarrassment. He struggles with wounded pride but resolves to endure his position patiently, trusting Providence for better work.

Themes in this chapter

  • Social Class and Barriers

    Dennis's internal conflict between his gentlemanly upbringing and his menial job as a bootblack underscores the rigid class barriers. Christine's dismissive treatment of him reinforces the social distance between them.

  • Suffering and Providence

    Dennis endures humiliation and resolves to trust Providence for better work, reflecting a theme of patient suffering and faith in divine guidance.

  • Art and Ambition

    Christine's artistic vision for the store and Dennis's secret sketching and longing for instruction highlight the theme of artistic ambition and the desire for self-improvement.

Characters to notice

  • Christine Ludolph

    Begins planning a store rearrangement, studies the building, and sketches ideas. She speaks to Dennis only to ask him to move, showing her dismissive attitude toward him.

  • Dennis Fleet

    Works as a bootblack, feels humiliated by Christine's treatment, but resolves to keep his word and endure his position with patience and prayer.

  • Mr. Ludolph

    Follows his daughter during her inspection and makes a condescending remark to Dennis after his stumble.

  • Mr. Schwartz

    His boots are being polished by Dennis; his loud demand for them triggers Dennis's frustration.

Key passages

  • But, not noticing him, she said to her father: “Here is a specimen. Look where this picture is hung. In ‘bootblack corner’ I should term it. It would not sell here in a thousand years, for what little light there is would be obscured much of the time by somebody’s big boots and the artist in charge.”

    Christine, ignoring Dennis, points out to her father that a painting is hung in a poor location she calls 'bootblack corner,' where it will never sell because boots will block the light.

    Christine's comment publicly associates Dennis with the menial task of bootblacking, deepening his humiliation.

  • He had voluntarily taken Pat Murphy’s place, and why should he complain at Pat’s treatment? He had pledged his word that there should be no trouble from his being above his business, and he resolved to keep his word till Providence gave him better work to do.

    Dennis reminds himself that he chose this job and must accept the treatment that comes with it, vowing to keep his promise and wait for Providence to provide better opportunities.

    Dennis's internal resolution shows his commitment to patience and faith despite his wounded pride.