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Banjo · Chapter

XIII: Bugsy Comes Back at Banjo explained

Bugsy returns to the Ditch and spreads malicious rumors about Banjo to Latnah, claiming Banjo is an 'ofay-lover' who prefers white women and squanders his money on his former flame, Chère Blanche.

What happens

Bugsy returns to the Ditch and spreads malicious rumors about Banjo to Latnah, claiming Banjo is an 'ofay-lover' who prefers white women and squanders his money on his former flame, Chère Blanche. Latnah, already seething with jealousy and racial resentment, is further enraged. Meanwhile, Banjo, who is color-blind to race in his own way, reunites with Chère Blanche, who has fallen to the bottom of the Ditch's social scale. The chapter also depicts the vibrant, tense atmosphere of the Cairo Café, where Latnah and Bugsy's conversation takes place, and ends with a confrontation between Banjo and Latnah, where Latnah threatens Banjo with a dagger after he mocks her.

Themes in this chapter

  • Race and Identity

    Latnah's jealousy is framed as 'deep-rooted sexual resentment' between races, while Bugsy accuses Banjo of being an 'ofay-lover' and having 'white fevah.' Banjo's own perspective is described as 'color-blind,' seeing life without 'divisions of sharp primary colors.'

  • Gender and Sexuality

    The chapter explores the dynamics of sexual relationships across racial lines, the commodification of women's bodies in the Ditch, and the jealousy and resentment that arise from these interactions.

  • Community and Comradeship

    The Cairo Café is a gathering place for a diverse community, yet it is also a space of tension and division. Bugsy's betrayal of Banjo through gossip highlights the fragility of camaraderie in the Ditch.

Characters to notice

  • Banjo

    Spending money on Chère Blanche, seen as color-blind to race, mocked by Latnah, and threatened with a dagger.

  • Latnah

    Consumed by jealousy and racial resentment after Bugsy's rumors, confronts Banjo and threatens him with a dagger.

  • Bugsy

    Spreading vindictive rumors about Banjo, claiming he is an 'ofay-lover' and enjoys walking alone with militant resentment.

  • Taloufa

    Mentioned as having paid for his suit and given Banjo money before going away.

  • Ray

    Present with Banjo at a bar near Boody Lane, playing American poker.

Key passages

  • Banjo an ofay-lover. She was seething with that deep-rooted sexual resentment that the women of the colored and white races nourish against one another—a resentment perhaps even more profound among the women than among the men of the species, because it is passive, having no outlet for brutal expression.

    Latnah is furious, believing Banjo prefers white women. Her anger stems from a deep-seated, passive resentment between women of different races, which has no way to be expressed violently.

    Highlights the theme of race and identity, and gender and sexuality.

  • Bugsy, of course, had Banjo wrong. Banjo was no ofay-lover. He simply would not see life in divisions of sharp primary colors. In that sense he was color-blind.

    The narrator clarifies that Bugsy is mistaken about Banjo. Banjo doesn't categorize people by race; he sees the world in a more fluid, nuanced way.

    Contrasts Bugsy's and Latnah's racial views with Banjo's more individualistic perspective.

  • “Touch me again and I stick you!” She whipped her little dagger out of her bosom. Banjo saw the silver-headed thing and recoiled quickly as from the sudden menace of a rattlesnake.

    Latnah threatens Banjo with a dagger when he touches her shoulder, causing him to recoil in fear.

    Shows the escalation of the conflict between Latnah and Banjo, and the potential for violence.