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Ashton-Kirk, Investigator · Chapter

XII: Antonio Spatola Appears explained

Ashton-Kirk and Pendleton arrive at the City Hall cell room to find Osborne, Bernstine, and Sime already there.

What happens

Ashton-Kirk and Pendleton arrive at the City Hall cell room to find Osborne, Bernstine, and Sime already there. Sime identifies the bayonet but cannot identify Spatola as the buyer. Ashton-Kirk speaks with Spatola, learning of his past as a violinist and confirming his knowledge of German. When Ashton-Kirk subtly probes about musical shorthand, Spatola reacts with suspicion and anger, leading Pendleton to believe Spatola is the murderer.

Themes in this chapter

  • Detective Method and Reasoning

    Ashton-Kirk uses subtle conversation to confirm Spatola's knowledge of German and shorthand, demonstrating his investigative technique.

  • Secrecy and Deception

    Spatola's angry denial of knowing shorthand suggests he is hiding something.

  • Appearance vs. Reality

    Spatola appears as a pitiful street musician but may be more cunning than he seems.

Characters to notice

  • Ashton Kirk

    Interviews Spatola, subtly confirms his knowledge of German and shorthand.

  • Pendleton

    Observes Spatola's reactions and concludes he is the murderer.

  • Antonio Spatola

    Former first violinist, now a prisoner; denies buying the bayonet and reacts angrily to questions about shorthand.

  • Osborne

    Brings Bernstine and Sime to identify the bayonet; conducts the initial interrogation.

  • Mr. Bernstine

    Arrives with Sime to assist in identifying the bayonet; expresses disappointment at not being informed earlier.

  • Sime

    Identifies the bayonet but cannot identify Spatola as the buyer.

Key passages

  • I came here to have a few words with this prisoner, and by your leave, I'll speak to him now.

    Ashton-Kirk asks Osborne for permission to interview Spatola alone.

    Ashton-Kirk takes control of the interrogation.

  • I have read it in the German; in his own language, just as he wrote it. It is nothing.

    Spatola admits he can read German, confirming a key point for Ashton-Kirk.

    Ashton-Kirk cleverly elicits confirmation of Spatola's German literacy.

  • I know nothing of such things, and what is more I don't want to know anything of them.

    Spatola angrily denies any knowledge of shorthand when Ashton-Kirk brings up musical shorthand.

    Spatola's defensive reaction suggests he is hiding something.