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As I Lay Dying · Chapter

Samson explained

Samson recounts the Bundrens' arrival at his farm just before sundown, noting their wagon, Jewel on a spotted horse, and the group's determination to reach Jefferson despite washed-out bridges.

What happens

Samson recounts the Bundrens' arrival at his farm just before sundown, noting their wagon, Jewel on a spotted horse, and the group's determination to reach Jefferson despite washed-out bridges. He offers them lodging for the night, but they refuse to come inside, choosing to squat by the wagon containing Addie's body. Samson observes Anse's stubborn pride in the rising river, overhears Dewey Dell's fierce insistence that Anse keep his promise to Addie, and notes Jewel's refusal to be beholden for his horse's feed. Rachel is outraged by the situation, and the next morning Samson finds a buzzard in the barn, a grim sign of the decay to come.

Themes in this chapter

  • Family Duty and Selfishness

    Anse's rigid adherence to his promise to Addie is portrayed as both duty and stubborn pride, while Dewey Dell's fierce demand highlights the tension between obligation and practicality.

  • Death and Grief

    The physical presence of Addie's body in the wagon, the buzzard in the barn, and the Bundrens' refusal to come inside underscore the raw, unprocessed nature of their grief and the decay of the corpse.

  • Isolation and Community

    Samson offers hospitality, but the Bundrens remain isolated in their vigil; Rachel's emotional outburst reveals a deeper alienation and the community's struggle to understand the family's choices.

Characters to notice

  • Samson

    Narrator and host; offers lodging and advice, observes the Bundrens' behavior with a mix of practicality and bewilderment.

  • Anse Bundren

    Stubbornly insists on keeping his promise to Addie, shows pride in the river's height, and refuses to come inside or accept help.

  • Dewey Dell Bundren

    Fiercely watches Samson, whispers urgently to Anse about his promise, and helps Rachel in the kitchen but remains silent and intense.

  • Jewel Bundren

    Rides the spotted horse, insists on paying for extra feed to avoid being beholden, and is described as the one 'folks talks about.'

  • Cash Bundren

    Sits on a plank across the tailgate, speaks briefly about reaching Jefferson, and declines Samson's offer of a bed.

  • Rachel

    Samson's wife; outraged by the situation, cries about men torturing women alive and flouting them dead, and refuses Samson's touch.

Key passages

  • I notice how it takes a lazy man, a man that hates moving, to get set on moving once he does get started off, the same as he was set on staying still, like it ain't the moving he hates so much as the starting and the stopping.

    Samson observes that a man who dislikes change can become as stubborn about continuing a journey as he was about staying put, as if the difficulty itself gives him pride.

    Samson's reflection on Anse's character, linking his laziness to a perverse pride in overcoming obstacles.

  • If her eyes had a been pistols, I wouldn't be talking now. I be dog if they didn't blaze at me.

    Dewey Dell's glare was so intense that Samson felt it could have killed him.

    Samson's vivid description of Dewey Dell's hostile, protective gaze when he suggests delaying the journey.

  • I just wish that you and him and all the men in the world that torture us alive and flout us dead, dragging us up and down the country—

    Rachel expresses her fury at men who mistreat women both in life and after death, dragging them around against their will.

    Rachel's outburst reveals a deep gender-based resentment, linking the Bundrens' journey to broader male oppression.

  • It was a buzzard. It looked around and saw me and went on down the hall, spraddle-legged, with its wings kind of hunkered out, watching me first over one shoulder and then over the other, like a old bald-headed man.

    Samson finds a buzzard in the barn, moving awkwardly and watching him with a human-like, unsettling gaze.

    The buzzard foreshadows the decay of Addie's body and the Bundrens' prolonged journey, adding a grotesque, almost comic element.