An American Tragedy · Chapter
Chapter XX explained
As autumn arrives, Clyde and Roberta struggle to find private places to meet.
What happens
As autumn arrives, Clyde and Roberta struggle to find private places to meet. Clyde pressures Roberta to let him visit her room at the Gilpins' late at night, but she resists due to moral qualms and fear of discovery. Their conflict reveals the growing tension between Clyde's desire for intimacy and Roberta's conventional upbringing, leading to a bitter argument that leaves Roberta terrified of losing him.
Themes in this chapter
Social Class and Ambition
Clyde's reluctance to marry Roberta due to her lower social status and his fear of his relatives' disapproval highlights class divisions.
Seduction and Betrayal
Clyde's persistent pressure for greater intimacy and his threat to seek other women foreshadows his eventual betrayal of Roberta.
The Female Body and Control
Roberta's struggle to maintain her moral boundaries against Clyde's demands reflects societal control over female sexuality.
Characters to notice
- Clyde Griffiths
Pressures Roberta for greater intimacy, becomes angry and sullen when she refuses, comparing her to Hortense Briggs.
- Roberta Alden
Struggles with her moral convictions against Clyde's demands, fears losing him to other girls, and ultimately pleads with him not to be angry.
- Hortense Briggs
Mentioned by Clyde as a comparison to Roberta's evasiveness, reflecting his past frustrations.
- Sondra Finchley
Referenced as an example of a girl of higher social position whom Clyde would not consider marrying.
- Bertine Cranston
Mentioned alongside Sondra as part of the high society circle that influences Clyde's view on marriage.
Key passages
“For in spite of the fact that thus far Clyde had never openly agreed with himself that his intentions in relation to Roberta were in any way different to those normally entertained by any youth toward any girl for whom he had a conventional social regard, still, now that she had moved into this room, there was that ineradicable and possibly censurable, yet very human and almost unescapable, desire for something more—the possibility of greater and greater intimacy with and control of Roberta and her thoughts and actions in everything so that in the end she would be entirely his.”
Clyde had not admitted to himself that his motives were anything but conventional, but after Roberta moved, he felt an irresistible urge for deeper intimacy and control over her.
Reveals Clyde's internal conflict between social propriety and his desire for possession.
““Oh, it would be easy enough if you wanted to do it, but that's always the way with you, you don't want to.””
Clyde accuses Roberta of being unwilling to make things easy for him, dismissing her moral objections.
Shows Clyde's growing frustration and manipulation.