All chapters

A Passage to India · Chapter

XIV explained

Aziz takes Mrs.

What happens

Aziz takes Mrs. Moore and Adela Quested on the expedition to the Marabar Caves. The group experiences the first cave, which proves horrifying for Mrs. Moore due to the crush, stench, and a terrifying echo. Adela discusses her concerns about becoming an Anglo-Indian and her marriage with Aziz, but the conversation falters. The chapter explores the landscape, the hospitality of Aziz, and the growing distance between the characters.

Themes in this chapter

  • Colonialism and Imperialism

    Adela's fear of becoming like other Anglo-Indian women reflects the pressures and prejudices of colonial society.

  • Misunderstanding and Communication

    Aziz and Adela's conversation breaks down due to cultural misunderstandings, and the cave's echo symbolizes the failure of meaningful communication.

  • The Natural World and Landscape

    The Marabar hills and caves are described in vivid, almost primordial terms, emphasizing their indifference to human concerns.

Characters to notice

  • Dr. Aziz

    Hosts the Marabar Caves expedition, shows hospitality, and reflects on his friendships with Mrs. Moore and Fielding.

  • Adela Quested

    Discusses her fear of becoming like other Anglo-Indian women and her marriage plans; participates in the cave visit.

  • Mrs. Moore

    Finds the cave experience terrifying due to the crush, stench, and echo; reflects on relationships and falls asleep on the train.

  • Mahmoud Ali

    His butler serves food during the expedition; mentioned as a cynic who longs to show hospitality.

  • Mohammed Latif

    Stands with a peeled switch in hand during the expedition preparations.

  • Professor Godbole

    Mentioned as having never mentioned the echo in the caves; Aziz is lost without him.

Key passages

  • He held up his hand in protest. “Impossible. Take back such a terrible remark.” “But I shall; it’s inevitable. I can’t avoid the label. What I do hope to avoid is the mentality.”

    Aziz objects to Adela calling herself an Anglo-Indian, but she insists the label is unavoidable and hopes to avoid the associated mindset.

    Adela discusses her fear of adopting the prejudiced attitudes of other British women in India.

  • The small black hole gaped where their varied forms and colours had momentarily functioned. They were sucked in like water down a drain.

    The cave entrance swallows the group as they enter, one by one.

    Describes the ominous and absorbing nature of the cave.

  • “Boum” is the sound as far as the human alphabet can express it, or “bou-oum,” or “ou-boum,”⁠—utterly dull.

    The echo in the cave produces a monotonous, dull sound that reduces all noises to the same meaningless 'boum'.

    The echo symbolizes the erasure of distinction and meaning.

  • Like most Orientals, Aziz overrated hospitality, mistaking it for intimacy, and not seeing that it is tainted with the sense of possession.

    Aziz places too much importance on hospitality, confusing it with true closeness, unaware that it can involve a sense of ownership.

    Narrator's commentary on Aziz's cultural approach to hospitality.

  • She felt increasingly (vision or nightmare?) that, though people are important, the relations between them are not, and that in particular too much fuss has been made over marriage; centuries of carnal embracement, yet man is no nearer to understanding man.

    Mrs. Moore begins to feel that relationships, especially marriage, are overemphasized and do not lead to true understanding between people.

    Mrs. Moore's growing disillusionment with human connections.