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A House of Gentlefolk · Chapter

IV explained

Panshin, a charming and talented young official from Petersburg, visits the Kalitin household.

What happens

Panshin, a charming and talented young official from Petersburg, visits the Kalitin household. He sings a song he composed, which is praised by everyone except the old music teacher Lemm, who arrives for a lesson. Panshin dismisses Lemm's musical sensibilities and arranges to play a Beethoven duet with Lisa. Marya Dmitrievna and Gedeonovsky leave to discuss 'poor Fedya' (Lavretsky), leaving Panshin and Lisa alone at the piano.

Themes in this chapter

  • Social Class and Identity

    Panshin's ease in high society, his background as a gambler's son, and his calculated charm illustrate the fluidity and performance of social status.

  • Art and Creativity

    The contrast between Panshin's fashionable but shallow song and Lemm's serious cantata highlights different attitudes toward artistic creation.

Characters to notice

  • Vladimir Nikolaitch Panshin

    Introduced as a brilliant young official from Petersburg, talented in music and verse, confident and socially adept, but cold and false at heart.

  • Marya Dmitrievna Kalitin

    Hostess of the gathering, adores Panshin, and leaves with Gedeonovsky to discuss Lavretsky.

  • Lisa Mihalovna

    Praises Panshin's song and prepares to play a Beethoven duet with him.

  • Gedeonovsky

    Flatters Panshin and accompanies Marya Dmitrievna for a walk to discuss Lavretsky.

  • Christopher Theodor Gottlieb Lemm

    Old music teacher, displeased with Panshin's song, leaves the room after Panshin's condescending remarks about his cantata.

  • Lenotchka

    Child who looks up to Panshin and goes upstairs for her music lesson with Lemm.

Key passages

  • I assure you he's very quiet, but I will tell you what I am afraid of: I'm afraid to play preference with Sergei Petrovitch; yesterday he cleaned me out of everything at Madame Byelenitsin's.

    Panshin jokes that while his horse is gentle, he lost money playing cards with Gedeonovsky the previous evening.

    Shows Panshin's lighthearted banter and his familiarity with the local social circle.

  • Panshin had complete confidence in himself, in his own intelligence, and his own penetration; he made his way with lighthearted assurance, everything went smoothly with him.

    Panshin was self-assured and successful in all his endeavors, moving through life with ease.

    Reveals Panshin's character as confident and superficially charming but ultimately cold and false.

  • The old man crimsoned to his ears, and with a sidelong look at Lisa, he hurriedly went out of the room.

    Lemm blushed deeply and glanced at Lisa before quickly leaving the room.

    Highlights Lemm's discomfort and humiliation at Panshin's condescending praise of his cantata.