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A Hazard of New Fortunes · Chapter

I explained

Alma Leighton and her mother discuss art, artists, and their move to New York.

What happens

Alma Leighton and her mother discuss art, artists, and their move to New York. Alma critiques her own work and reflects on the nature of artistic genius, while Mrs. Leighton wonders why Mr. Beaton has not visited them. They also talk about an old German model, Mr. Lindau, who is an educated man and a war veteran.

Themes in this chapter

  • Art and Commerce

    The chapter explores the tension between artistic integrity and commercial success, as Alma and her mother discuss the practicalities of making a living through art.

  • Urban vs. Rural Life

    The Leightons have moved from St. Barnaby to New York, highlighting the contrast between rural simplicity and urban artistic opportunities.

Characters to notice

  • Alma Leighton

    Alma discusses her artistic ambitions and frustrations with her mother, critiques her own drawings, and reflects on the nature of artists.

  • Mrs. Leighton

    Mrs. Leighton worries about Mr. Beaton's absence and discusses the family's move to New York and their financial risks.

  • Angus Beaton

    Beaton is mentioned as a young artist who influenced Alma's decision to come to New York, but has not yet visited them.

  • Mr. Lindau

    Lindau is introduced as an old German model, an educated man and war veteran who lost a hand, now struggling to find work.

  • Mr. Wetmore

    Wetmore is Alma's teacher, who critiques her work indirectly and has seen Beaton in New York.

Key passages

  • influence is the last thing a painter thinks of⁠—or supposes he thinks of. What he knows he’s anxious about is the drawing and the color. But people will never understand how simple artists are.

    Artists focus on technical aspects like drawing and color, not on the influence their work might have, and the public misunderstands their simplicity.

    Alma explains the artist's mindset to her mother.

  • One of the girls says that old model is an educated man. He was in the war, and lost a hand. Doesn’t it seem a pity for such a man to have to sit to a class of affected geese like us as a model?

    Alma laments that an educated war veteran like Mr. Lindau must work as a model for art students, highlighting the indignity of his situation.

    Alma expresses sympathy for Mr. Lindau's plight.