# Flowers explained — The Book of Tea

> Chapter companion for The Book of Tea by Okakura Kakuzō.

## What happens

This chapter explores the profound relationship between teaism and flower arrangement in Japanese culture, detailing how tea-masters elevated flower worship into an aesthetic ritual. It contrasts the tea-master's approach—where flowers are selected and placed to harmonize with the tearoom's total decoration—with later formalistic and naturalesque schools. Through stories like Rikiu's single morning-glory for the Taiko and Sekishiu's compositions, the chapter illustrates the principles of simplicity, transience, and sacrifice underlying the Cult of Flowers, and reflects on the philosophical acceptance of death and change.

## Themes in this chapter

### Teaism as an Aesthetic Philosophy

Flower arrangement is presented as an integral part of the tea-ritual, subordinated to the total scheme of decoration and embodying the aesthetic principles of teaism.

### The Worship of the Imperfect and Transience

The chapter emphasizes the beauty of transience through the flower sacrifice, the acceptance of death, and the fleeting nature of blossoms like cherry flowers surrendering to the winds.

### Simplicity and Humility

Tea-masters select flowers with care, avoid excess, and place a single bloom in the tokonoma, reflecting simplicity and humility in their aesthetic.

### Critique of Modern Materialism and Conformity

The chapter contrasts the tea-master's reverent approach with Western practices of cutting flowers without leaves, and laments the wanton destruction of flowers, wishing for protective laws.

## Character check-ins

### Rikiu

Cultivated an entire garden of morning-glories and arranged a single bloom in the tokonoma for the Taiko's visit, demonstrating the essence of flower sacrifice.

### Taiko Hideyoshi

Visited Rikiu's garden expecting to see morning-glories but found only a single bloom in the tearoom, which restored his humor.

### Kobori Enshiu

Mentioned among Rikiu's successors who vied in forming new flower combinations.

### Katagiri Sekishiu

Placed water-plants in a flat receptacle with a painting of wild ducks, and ordained that white plum blossoms should not be used when snow lay in the garden.

### Laozi

Quoted: 'Heaven and earth are pitiless,' reflecting the philosophical acceptance of destruction and change.

### Empress Komio

Sang a poem about offering flowers to the Buddhas rather than plucking them, exemplifying the ideal lover of flowers.

### Sotumpa

Referenced in the context of a story about a cherry tree with an inscription threatening punishment for cutting branches.

## Key lines

> A solo of flowers is interesting, but in a concerto with painting and sculpture the combination becomes entrancing.

A single flower arrangement is appealing, but when combined with painting and sculpture, the overall effect is captivating.

_Highlights the tea-master's integration of multiple art forms in the tearoom._

> On the tokonoma, in a rare bronze of Sung workmanship, lay a single morning-glory—the queen of the whole garden!

In the alcove, placed in a valuable Sung dynasty bronze vase, was a single morning-glory, representing the finest flower from the entire garden.

_Illustrates Rikiu's masterful use of simplicity and focus to create a powerful aesthetic experience._

> The ideal lover of flowers is he who visits them in their native haunts, like Taoyuenming, who sat before a broken bamboo fence in converse with the wild chrysanthemum.

The true flower enthusiast appreciates them in their natural environment, as Taoyuenming did when he communed with wild chrysanthemums by a bamboo fence.

_Contrasts the tea-master's respectful approach with the selfishness of uprooting flowers._

> Change is the only Eternal—why not as welcome Death as Life? They are but counterparts one of the other—The Night and Day of Brahma.

Since change is the only constant, death should be welcomed as much as life, as they are complementary opposites, like night and day in the cycle of Brahma.

_Reflects the philosophical acceptance of transience and destruction central to the chapter._

## Links

- HTML: https://www.betterreads.online/discover/the_book_of_tea_se/chapters/vi-flowers
- Book: https://www.betterreads.online/discover/the_book_of_tea_se
- All chapters: https://www.betterreads.online/discover/the_book_of_tea_se/chapters
