# I explained — Now It Can Be Told

> Chapter companion for Now It Can Be Told by Philip Gibbs.

## What happens

The narrator, a war correspondent, describes the initial rush to report on World War I, the chaos of civilian flight, the horrors of wounded soldiers, and the profound disconnect between those who witnessed the war's brutality and those who remained ignorant at home.

## Themes in this chapter

### Futility of War

The chapter emphasizes the senseless suffering and destruction, with vivid descriptions of dead and wounded soldiers, civilian flight, and the collapse of civilized life.

### Psychological Trauma

The narrator and other correspondents are haunted by what they have seen, unable to communicate the horror to those who have not experienced it, highlighting the lasting mental scars of war.

### Propaganda and Deception

The War Office's hostility to the press and the initial public perception of war as a 'glorious adventure' contrast sharply with the grim reality, revealing the gap between official narratives and truth.

### Loss of Innocence

Young soldiers who went to war 'gay in their approach' return 'maimed and mangled and blinded,' and civilians who thought of war as 'heroic pageantry' are confronted with its brutal reality.

## Character check-ins

### Unknown Narrator

The narrator is a war correspondent sent from London, witnessing the early horrors of war and struggling to convey the truth to those who have not seen it.

### The French

French soldiers and civilians are depicted in retreat, suffering, and despair, with cries of agony and scenes of mass flight.

### The British

British soldiers, including the 'Old Contemptibles,' are shown retreating, wounded, and parched, yet maintaining a defiant spirit.

### Sir John French

Sir John French's headquarters were in Creil during the retreat, overseeing the British forces.

### Lord Kitchener

Kitchener is mentioned as hating the press and wanting to throttle it in wartime, influencing the War Office's treatment of correspondents.

## Key lines

> The Old Guard of war correspondents besieged the War Office for official recognition and were insulted day after day by junior staff-officers who knew that 'K' hated these men and thought the press ought to be throttled in time of war

Experienced war correspondents repeatedly tried to get official accreditation from the War Office, but were daily insulted by junior officers who knew that Lord Kitchener despised the press and believed it should be silenced during wartime.

_Highlights the tension between the military establishment and the press, and Kitchener's personal animosity toward journalists._

> Those young writing-men who had set out in a spirit of adventure went back to Fleet Street with a queer look in their eyes, unable to write the things they had seen, unable to tell them to people who had not seen and could not understand.

The young journalists who initially sought adventure returned to London with a haunted expression, incapable of describing or communicating the horrors they witnessed to those who had not experienced them.

_Illustrates the profound psychological impact of war on observers and the failure of language to convey its reality._

> Four hundred thousand people were in flight from Antwerp, into which big shells were falling, as English correspondents flattened themselves against the walls and said, 'God in heaven!'

As heavy shells rained down on Antwerp, 400,000 civilians fled the city, while English correspondents pressed themselves against walls in terror, exclaiming 'God in heaven!'

_Depicts the scale of civilian displacement and the danger faced by correspondents in the war zone._

> From thousands of French soldiers lying wounded or parched in the burning sun before the battle of the Marne these cries went up to the blue sky of France in August of '14. They were the cries of youth's agony in war.

In August 1914, before the Battle of the Marne, thousands of wounded and dehydrated French soldiers cried out in pain under the scorching sun, their screams representing the suffering of young men in war.

_Emphasizes the physical agony of soldiers and the stark contrast between the serene sky and the horrors on the ground._

## Links

- HTML: https://www.betterreads.online/discover/now_it_can_be_told_se/chapters/i
- Book: https://www.betterreads.online/discover/now_it_can_be_told_se
- All chapters: https://www.betterreads.online/discover/now_it_can_be_told_se/chapters