# V explained — Miss Mole > Chapter companion for Miss Mole by E. H. Young. ## What happens Hannah Mole walks home through a stormy night, reflecting on her identity, her past, and her future as she prepares to leave Mrs. Gibson's house to work for Mr. Corder. She contrasts herself with Lilla and Mrs. Ridding, feels a deep sympathy for the young widow's hidden misery, and struggles with her own desires for money and freedom. At Mrs. Gibson's, she encounters the unresponsive Mr. Blenkinsop and later listens to Mrs. Gibson's rambling stories about the late Mrs. Corder, which fill Hannah with dread about the man she will serve. ## Themes in this chapter ### Identity and Self-Perception Hannah grapples with her own identity, contrasting her inner self—full of irony, passion, and desire—with the drab exterior others see, and reflects on the roles she has played. ### Loneliness and the Search for Connection Hannah feels isolated despite her interactions; she longs for meaningful connection, as seen in her sympathy for Mrs. Ridding and her failed attempts to engage Mr. Blenkinsop. ### Class and Social Mobility Hannah's desire for money and her awareness of her own lowly position as a housekeeper highlight the constraints of class and her yearning for a different life. ## Character check-ins ### Miss Hannah Mole Reflects on her identity, past romantic interlude, and desires for money and freedom; feels sympathy for Mrs. Ridding and dread about working for Mr. Corder. ### Lilla Contrasted with Hannah; seen as someone who can only see herself as Mrs. Spenser-Smith and has never performed heroic acts. ### Mrs. Ridding A young widow whose hidden despair and brave singing deeply move Hannah; Hannah wishes she could help her. ### Mr. Blenkinsop Hannah encounters him in the hall; he remains grave and monosyllabic, resisting her attempts at conversation. ### Mrs. Gibson Hannah's current landlady; admires Hannah and talks at length about the late Mrs. Corder, leaving Hannah disappointed in her resourcefulness. ### Mrs. Corder The late wife of Mr. Corder; Mrs. Gibson describes her as absentminded and possibly unhappy, leading Hannah to reconstruct her married misery. ## Key lines > Yet it was better to be Hannah Mole than to be Lilla who could see herself as one person only, and that was Mrs. Spenser-Smith, who had never broken a basement window to save a man from gas poisoning, dragged him from the neighbourhood of the oven, and then consoled the baby who was crying, neglected, in his perambulator Hannah thinks that despite her struggles, she is better off than Lilla, who has a narrow self-image and has never performed a heroic, selfless act like saving a man from gas poisoning and comforting his baby. _Hannah contrasts her own multifaceted life with Lilla's limited identity and lack of heroic deeds._ > She could see herself clearly enough with other people’s eyes: she was drab, she was nearing, if she had not reached, middle-age, she bore the stamp of a woman who had always worked against the grain, she was, in fact, the ideal housekeeper for Mr. Corder. Hannah recognizes that others see her as a plain, aging woman who has struggled, making her the perfect candidate for a housekeeper position. _Hannah's self-awareness of her external appearance and how it aligns with societal expectations for her role._ > Who would suspect her of a sense of fun and irony, of a passionate love for beauty and the power to drag it from its hidden places? No one would guess that beneath her drab exterior, Hannah possesses a playful, ironic spirit and a deep appreciation for beauty. _Hannah reflects on the hidden aspects of her personality that others cannot see._ ## Links - HTML: https://www.betterreads.online/discover/miss_mole_se/chapters/v - Book: https://www.betterreads.online/discover/miss_mole_se - All chapters: https://www.betterreads.online/discover/miss_mole_se/chapters